Thursday, September 24, 2009
Dossier
Posted by
Kara Gates
at
6:16 PM
0
comments
Tags: identity, printmaking, school
Wednesday, October 22, 2008
Tentacurl in Loveeeeee
Posted by
Kara Gates
at
7:07 PM
0
comments
Tags: printmaking, silkscreen, sketches
Sunday, May 4, 2008
Baphomoose
Everyday for the next two weeks I am hoping to make a post of what I have been up to this semester. I have been struggling to compose a hybrid between a deer and a elephant for the last two weeks or so, and in my sketches I transformed my deer antlers into moose antlers. Eventually, probably induced by recent musical selections and other ideas for additional projects, a new hybrid was birthed. This is somewhat a homage to my home state of Maine, and is my attempt at turning being homesick into productive energy. Etching on 4x5 zinc plate, edition of 15.
Posted by
Kara Gates
at
10:41 PM
2
comments
Tags: printmaking
Tuesday, April 22, 2008
Nevermind the sketches. Behold! The (finished) tentacurl.
Posted by
Kara Gates
at
6:59 PM
0
comments
Tags: printmaking
Monday, February 4, 2008
More Linoleum Prints - Hot Off the Press!
We were told in my printmaking class to pick two objects that make a statement... My house isn't exactly full of interesting objects currently, so I walked a around a bit and decided on something a bit more iconic. It also relates to what I've been thinking about lately, my finances. My original sketches were very realistic, and because linoleum doesn't lend itself to photorealism very well, I warped my image so that it could be more expressionistic. So voila: my piggy bank and hammer that I got from Ikea.
Posted by
Kara Gates
at
5:24 PM
0
comments
Tags: printmaking, school
It's been a long time...
...Since I have worked on anything printmaking related. I'm pretty sure that whenever I get a set of cutting tools, one of the first things I cut is on of my finger tips. Safety last! These are trial runs of my current favorite subject, tentacles, off of a linoleum block. I really enjoy working in relief, it gives you a sense of how value really works. Working backwards to expose light is always a challenge, even if just a very subtle one.
Posted by
Kara Gates
at
12:05 PM
0
comments
Tags: printmaking, school






